He looked at the American way and adapted it into a Danish model.
The motto “one vision” forms the core of this development.
The Danish television industry, which was long seen as lacking what it takes to be influential, has built this new chapter of its history on firm foundations: a vivid storytelling tradition established by internationally acclaimed directors such as Lars von Trier, Nicolas Winding Refn and Thomas Vinterberg.
Was this done on purpose, or was it simply a coincidence?A lot of titles are currently being published in this particular genre.Is there any connection with the success of the TV shows? These days it seems like readers and viewers can’t get enough of crime stories, whatever the platform. 5/ Another common point is that lead characters are women.La Gazette contient également d’autres entretiens sur les séries et le cinéma danois dont un passionnant échange avec Ted Hope.extent – imaginative British productions such as The Avengers, The Prisoner or the recent teenage drama Skins.
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I’m out of production now and that is a big change.It’s a great pleasure to be in charge of so many accomplished people who are working at the drama department at DR.But things started a long time ago, back in the 1990s, with Kingdom (Riget) by Lars Von Trier and Pusher by Nicolas Winding Refn.How come it took almost twenty years to realise how good the Danish shows were ?Now I’m a smal part of it all – I used to a big part of one production.
I learn new things every day and I enjoy the change in my professional life.
4/ These successful shows have something in common: they are all more or less crime fiction.
We know that Scandinavian countries have put their names on the crime fiction map with writers such as Camilla Lackberg, Jo Nesbo, Henning Mankell and Leif Davidsen.
She is who she is, and she’s notinfluenced by anybody but the perpetrator.
Birgitte Nyborg is the first female prime minister in Denmark, and that’s a tough task if you’re trying to live a normal family life.